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Vann Molyvann was a pioneer of  this movement and his work was crucial for the development  of an Asian modernism. His engagement reached far beyond the architectural profession, encompassing questions of human habitat, local tradition, and culture. Astonishing both in terms of scale and their unique architectural language, buildings such as the National Sports Complex, the Chaktomuk Conference Hall, and the Institute  of Foreign Languages, in Phnom Penh, still stand as a testament  to Molyvann’s invaluable contribution to the crafting of a new  Cambodian national identity. But these were not the architect’s only projects: lesser known than his majestic buildings in Phnom Penh is the 100 Houses project, for which he proposed an  alter­native to traditional Khmer wooden homes to improve  the living standards of the largely rural Cambodian population. Molyvann’s design, which attributed great value to the climatic and cultural specificities of  the tropical context, combines vernacular architecture with modern materials and techniques that Molyvann learned about while studying in Paris.

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S. 34–45

À l’école des maîtres angkoriens? – Nouvelle Architecture Khmère, Vann Molyvann, and the postcolonial myth of Angkor (Wat)

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