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Intro

Intro
S. 4–7
Sally Below, Moritz Henning, Christian Hiller, Eduard Kögel

Encounters with and Discussions about Architectural Modernism in Southeast Asia

Essay
S. 8–11
Johannes Widodo

Managing Change through Historic Preservation – Conserving Asia’s Modernist Architectural Heritage

Essay
S. 12–19
Eduard Kögel

“Poelzig’s Grandchildren” Julius Posener and CW Voltz in Kuala Lumpur (1956–61)

© Beate Voltz, Privatarchiv Beate Voltz
Essay
S. 20–23
Eduard Kögel

Development Aid and Socialist Solidarity West German and East German engagement in Southeast Asia

Cambodia

Chapter
S. 24–25

Cambodia

Visual Essay
S. 26–33
Giovanna Silva

Journey through Cambodia

© Giovanna Silva
Essay
S. 34–45
Michael Falser

À l’école des maîtres angkoriens? – Nouvelle Architecture Khmère, Vann Molyvann, and the postcolonial myth of Angkor (Wat)

Project
S. 46–47
Pen Sereypagna

The Vann Molyvann Project

Courtesy Vann Molyvann Project
Interview
S. 48–53
Lu Ban Hap, Moritz Henning

“I wanted to marry Cambodia with the Occidental World”

Essay
S. 54–61
Moritz Henning

The White Building at Front du Bassac – A symbol of Cambodia’s complex relationship to architectural modernism

Essay
S. 62–67
Pen Sereypagna

Genealogy of Bassac

Essay
S. 68–71
Hun Sokagna

Keeping the Memory of Phnom Penh’s Cinemas Alive

© Stéphane Janin 1992
Interview
S. 72–77
Mam Sophana, Moritz Henning

“Architecture is about Everything and Nothing”

Visual Essay
S. 78–85
Poum Measbandol

New Khmer Architecture

Indonesia

Chapter
S. 86–87

Indonesia

Essay
S. 88–95
Setiadi Sopandi

Imagination and National Identity – A brief history of modern architecture in Indonesia

© F. Silaban Archive. Courtesy arsitekturindonesia.org
Project
S. 98–99
R. M. Soedarsono

Monumen Nasional

© Moritz Henning
Case Study
S. 100–103
Hyphen —

Visualization of National History: From, by, and for whom?

© Christian Hiller
Interview
S. 104–111
d-associates, Moritz Henning, Christian Hiller

A new Tropical Architecture

Project
S. 114–121
Andra Matin

AM Residence

Myanmar

Chapter
S. 122–123

Myanmar

Essay
S. 124–133
Benjamin Bansal

Concrete Battleground – Two Western architects in Myanmar

© Manuel Oka
Interview
S. 134–141
U Sun Oo

A Modern Burmese Style

Project
S. 142–143
U Sun Oo

Bogyoke Aung San Mausoleum (Martyrs’ Mausoleum)

Project
S. 144–147
Al Mansfeld, David Yanay

A Mausoleum for Aung San in Rangoon

Project
S. 148–149
U Maung Maung Gyi

Yangon Region Parliament (former People’s Congress)

Interview
S. 150–157
U Shwe

The Tradition of Modernity

© U Maung Shwe

Singapore

Chapter
S. 158–159

Singapore

Essay
S. 160–165
Ho Puay-Peng

Tiong Bahru – A modernist district in the tropics

Visual Essay
S. 166–171
Darren Soh

Public Housing in Singapore

© Darren Soh
Essay
S. 172–177
Ho Weng Hin

The Future of Singapore’s Recent Past

© Darren Soh
Essay
S. 178–189
Wee H. Koon

Bigness and the Search for Identity – Think tanks in an emergent Asian modernism

Project
S. 190–195
Design Partnership

Golden Mile Complex

Interview
S. 196–201
Tay Kheng Soon, Eduard Kögel, Ho Puay-Peng

Architecture Doesn’t Matter

© Darren Soh
Essay
S. 202–213
Shirley Surya

An Embedded Worlding – The Practice of Lim Chong Keat

Interview
S. 214–219
Ute Meta Bauer, Moritz Henning, Christian Hiller, Eduard Kögel

Southeast Asia as a “Geocultural Problem”

ARCH+ features

Features
S. 223–238
Farid Rakun, Christian Hiller, Eduard Kögel, Mirko Gatti

ruangrupa, Total Football, and the Modern Project

© ruangrupa

Imprint

Imprint

ARCH+
Journal for Architecture and Urbanism

 

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Editor-in-chief
Anh-Linh Ngo* 

 

Editorial team 
Nora Dünser*, Mirko Gatti*, Christian Hiller*, Sascha Kellermann, Melissa Koch*, Alexandra Nehmer

 

Guest editors
Sally Below, Moritz Henning, Eduard Kögel

 

Head of research and exhibition  projects
Christian Hiller*

 

Art direction
Mike Meiré*

 

Design
Charlotte Cassel*, Jeremias  Diekmann*, Meiré und Meiré

 

Creative direction 
Max Kaldenhoff*

 

Managing editor
Nora Dünser

 

Managing editor English edition
Mirko Gatti*

 

*  Editorial team for this publication, which is based on the German issue ARCH+ 243: Contested Modernities –  ­Postkoloniale Architektur und   Identitätskonstruktion in Südostasien (Autumn 2020)

 

Copy editor 
Alisa Kotmair

 

Translations
Brían Hanrahan (pp. 12–25, 50–63, 86–87, 122–23, 150–59, 214–19), Alisa Kotmair (pp. 01, 04–11, 26–49, 64–85, 88–111, ARCH+ features, 114–21, 124–149, 160–213, 220–22, 224)

 

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Bibliographic information published by the German National Library: The German National Library lists this publication in the Deutsche National­bibliografie; detailed bibliographic data is available online at dnb.dnb.de.

 

Library of Congress Control Number:

2021945512

 

ISBN 978-3-0356-2453-3 (Birkhäuser)

ISBN 978-3-931435-66-0 (ARCH+)

 

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This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms, or in other ways, and storage in databases. For any kind of use, permission from the copyright owner must be obtained.

 

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This publication is part of the international exhibition and discourse project Contested Modernities: Postcolonial Architecture in Southeast Asia. The project is a continuation of Encounters with Southeast Asian Modernism, which began in 2019 in several countries in Southeast Asia and is now being discussed in a German context.

Initiators & artistic directors  Sally Below, Moritz Henning,   Christian Hiller, Eduard Kögel 

Visual identity & exhibition design  Constructlab – Peter Zuiderwijk,   Alex Römer

Project management & communications sbca – Sarah Reiche, Amelie Schulz, Hanna Köhler, Laura Hermlin-Leder

 

In addition to this ARCH+ publication, Contested Modernities includes a discourse program and an exhibition with the following contributions:

 

Folding Concrete, curated by Pen Sereypagna and Vuth Lyno, Phnom Penh, Cambodia

 

Housing Modernities, curated by Ho Puay-Peng with Nikhil Joshi and Johannes Widodo, Singapore 

Occupying Modernism, curated by Avianti Armand and Setiadi Sopandi with Rifandi Nugroho, Jakarta,   Indonesia

 

Poelzig’s Legacy and the Prefab in the Tropics: German Influences curated   by Sally Below, Moritz Henning, Christian Hiller, and Eduard Kögel, Berlin, Germany

 

Synthesis of Myanmar Modernity, curated by Pwint (†) and Win Thant Win Shwin, Yangon, Myanmar 

Visualization of the National History: From, by, and for whom?, curated by Grace Samboh, Hyphen —,   and ruangrupa/Gudskul, Jakarta, Indonesia

 

www.seam-encounters.net

 

Contested Modernities is funded by

Partners and supporters

Senate Department for Urban   Development and Housing, Berlin

The Governing Mayor of Berlin,   Senate Chancellery

Goethe-Institut Myanmar

Goethe-Institut Singapore

Haus der Statistik

stadtkultur international ev

 

This issue is supported by

 

Goethe-Institut Indonesien